Escribir como señora: Discurso en un acto
Downloads
References
Castro, D. (2010). [NO HAY HILO QUE CONDUZCA A LA SALIDA]. En Viento quebrado (p. 114). México.
Castellanos, R. (2010). Mujer que sabe latín. Fondo de Cultura Económica.
Castellanos, R. (2013). Sobre cultura femenina. Fondo de Cultura Económica.
Cerda de la, D. (2023). Desde los zulos. Sexto Piso.
Cisneros, S. (2016). A House of My Own: Stories from My Life. Vintage.
Colio, B. (2022). El nombre vivo de las cosas. BarCo Drama. https://www.barbaracolio.com/post/el-nombre-vivo-de-las-cosas
Elizondo Elizondo, R. (2021). Setenta veces siete. Fondo Editorial de Nuevo León y Cátedra Alfonso Reyes del Tec de Monterrey.
Foppa, A. (2022). Mujer. En Viento de primavera: Antología Poética (1945-1979) (p. 129). Fondo de Cultura Económica.
Gregorio, S. (2022). Ovillo [Libreto para montaje en el INBA 2025] [En prensa].
Haraway, D. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies 14(3), 575-599.
Hernández, L. J. (2020). Las confesiones. Fondo de Cultura Económica.
INEGI. (2023). Encuesta Nacional de Ingresos y Gastos de los Hogares Estacional 2022. https://www.inegi.org.mx/contenidos/saladeprensa/boletines/2023/ENIGH-E/ENIGH-E2022.pdf
Leguin, U. K. (1989). The Fisherwoman`s Daughter. En Dancing at the Edge of the World: Thoughts on Words, Women, Places (pp. 212-237). Grove Press.
Mulvey, L. (1975). Visual Pleasure and Narrative Cinema. Screen 16(3), 6-18.
Teroba, O. (2024). Dinero y escritura. Sexto Piso.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in this journal accept the following conditions:
Fuentes Humanísticas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.
Authors retain copyright and grant the journal the right of first publication, with the work licensed under the Creative Commons Attribution license CC BY-NC-SA 4.0, which allows third parties to:
Share — copy and redistribute the material in any medium or format.
Adapt — remix, transform, and build upon the material.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contribution under the same license as the original.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Authors may enter into other independent and additional agreements for the non-exclusive distribution of the published version of the article in this journal (e.g., placing it in an institutional repository) as long as they clearly indicate that the work was first published in this journal.
